Terrorist or Hero?
Poster of Geronimo at local pub stirs controversy
Ramon Chavez, owner of Coal Street Pub as well as other businesses
in town, recently had an incident with a customer that resulted
in the individual being asked to leave. The customer, Norman Brown,
found a wanted sign of the famous Apache Chief Geronimo to be offensive
and asked for it to be taken down. "We have hundreds of signs on
our walls, none of them were meant to be offensive to anyone," said
Chavez, who took the sign down the next day. [Photo by Brian Leddy/Independent]
By Zsombor Peter
Staff Writer
Geronimo's
biography
Born June 1829, in Arizona or New Mexico
Mother, wife, children murdered by Mexicans in 1858
Leads raids across Arizona and New Mexico
Placed on reservation by Gen. George Crook
Flees to Mexico in 1876; fights with settlers for the
next decade
Agrees to go to Florida, where his family is being
held, but flees again
Dies in 1909 while confined to Fort Sill, Okla.;
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GALLUP Almost a century after his death, Geronimo continues
to inspire controversy.
One hundred years ago, it was the Chiricahua Apache leader's exploits
across the Southwest, making him a freedom fighter to his people
and outlaw to the federal government. But on a recent Friday night
in Gallup, all it took was a poster.
It made me sad
Norman Brown, a Navajo filmmaker and longtime Native rights activist,
was catching up with friends at the Coal Street Pub on the night
of April 20 when he saw it, about chest high, nailed to a wall leading
to the kitchen.
It's an iconic image, a photograph of Geronimo on one knee clutching
a rifle across his chest. Brown had seen it a hundred times. But
what caught his attention this time was the "wanted" label
above it something about crimes against the government
a $5,000 reward, and the shackle around his ankle.
History remembers Geronimo as a legend and a hero to his people.
But during his time, the Apache leader was, as the poster attests,
a wanted man. His raids across Arizona and New Mexico, following
the murder of his mother, wife and children by Mexicans, caught
the attention of the U.S. Army, and one Gen. George Crook. The general
placed Geronimo and his band on a reservation, but didn't keep him
there long. After another decade of fighting with settlers, Geronimo
agreed to go to Florida, where his family was being held, but fled
again. Now with Gen. Nelson Miles and 5,000 troops after him and
his 35 men, Geronimo remained at large for another 18 months. Confined
to Fort Sill, Okla., by presidential orders, and contrary to the
terms he agreed to with Miles, Geronimo lived out the rest of his
days farming and raising stock until his death in 1909.
Seeing the wanted poster, Brown said, "it made me sad instantly."
Then he noticed the John Wayne photo behind him.
"You either see John Wayne as an actor, or you see him as an
Indian killer," he said.
There's no doubt about which view Brown takes. He started putting
the two together. But just to make sure he wasn't overreacting,
he asked his friends, some white, some Hispanic, to take a look
at the Geronimo poster for themselves. They agreed that Brown had
a reason to feel offended.
Hoping he might get the poster removed, he asked a waitress behind
the bar for the manager. That's when things started to escalate.
Things fall apart
Brown insists the waitress, Lisa Mares, belittled his concerns and
that another waiter physically threatened him. Mares insists that
Brown was being rude, provoking the other waiter, and demanding
not asking that the poster come down.
Pub co-owner Ramon Chavez was playing in the house band when the
confrontation started. When the band took a break a little before
8 p.m., he headed toward the kitchen and came across the scene.
"I went up to the bar and they were arguing ... it was just
really out of hand," he recalled. "Someone was calling
someone a dumbass. There was finger pointing. Voices were raised.
Everyone was mad.
"There was no talking," he said. "When I got involved
there was only screaming."
And Brown, said Chavez, was doing as much screaming as anyone.
But that's not exactly what two other witnesses saw. Andru Ziwasimon,
an Albuquerque-based family physician, had met Brown earlier that
evening through a mutual friend. Alan Drauer, who heads the local
Teach for America office, was a pub regular and an acquaintance
of Chavez's. According to both men, Brown had raised his voice along
with everyone else, but not to the point of screaming.
Brown didn't come off as aggressive, Drauer said, "but I could
definitely tell he was a little stressed out."
Ziwasimon said Brown was "totally calm," more shocked
than anything.
Either way, when Brown refused to leave, Chavez decided he'd had
enough. He called the police to have Brown removed. Brown and Ziwasimon
heard Chavez say something about a drunk. According to the Metro
Dispatch recording, Chavez said he did not think Brown was
drunk, just irate.
Feeling insulted and discriminated, asked to leave simply for raising
his concerns about a poster, Brown wanted to stand his ground. His
friends convinced him to leave. A minute after his first call, Chavez
called the police back and canceled his request.
To Chavez, the dispute had nothing to do with the poster. Amid all
the commotion, Chavez said, he wasn't even sure which poster Brown
was talking about. All he could figure out was that a customer had
a problem with his interior decorating.
"If you don't like what's on my wall you can leave," Chavez
said. "I have 300 pictures on these walls. I don't know what
I've got."
To Chavez, the dispute was about the way he felt Brown treated his
staff.
"If anybody's rude to my servers, raising their voices ...
it's my job to protect my servers," he said. "What do
you think I'm going to do? These are like my kids."
If Brown had calmed down, Chavez said, they could have talking things
through.
Brown insists we was calm.
No apologies
Chavez ended up taking the poster down the next day. It just wasn't
worth the trouble of keeping up. It's been replaced by a beer ad.
Even when the poster was up, Chavez said he'd never taken a very
close look at it, certainly not close enough to notice the shackles.
Like the hundreds of other photos and posters covering the pub's
red walls, he simply considered it a record of the area's past.
None were meant to offend.
"It's a piece of history," Mares agreed.
Chavez, who is of Mexican heritage, pointed out another photo of
Mexican immigrants being loaded onto the back of a flatbed truck
for deportation.
"I want to honor Gallup. That's why it's up there," he
said.
For a restaurant that wants to honor Gallup, though, a town that's
one-third American Indian, in the heart of a county that's well
over 50 percent American Indian, there are very few pictures of
American Indians on the walls. Chavez said he never considered that.
Neither has Brandon Neahusan, who heads to the pub a few times a
week. He likes the atmosphere, which all the photos and posters
add to, but has never given any one much attention, least of all
the one of Geronimo. Until he heard about the Friday night incident
the following week, he didn't even know the pub had a poster of
Geronimo.
"I had to ask where it was," he said.
By then, Chavez had taken it down. But from what he's heard, Neahusan
doesn't consider it all that offensive.
"At this point in history I just think it has relegated itself
to an item of pop culture," he said.
To Brown, it's as relevant as ever.
Brown's father, a Navajo Code Talker, had taught him that the Apache
and Navajo were of a common ancestor: the Athabaskans.
"It was as if I saw Manuelito sitting there in shackles,"
he said, referring to the revered Navajo chief. "I saw him
as my ch, my grandfather, sitting there with chains around his ankles."
With so much personal weight behind the poster, Brown believes it's
about more than him and Chavez.
"It's not an owner, customer issue," Brown said. Nor,
he added, is it "about the citizens of Gallup. It's about the
institutional racism that's here ... that continues to allow this
kind of discrimination."
From the lack of Navajo education in the county's public schools
to a local American Indian jewelry industry that still exploits
their labor, Brown said, what happened that Friday night was nothing
new.
Chavez isn't apologizing. But even if he did, Brown said he couldn't
accept.
"We've accepted it for too long," he said.
Still holding on to the kind of anger that brought tears to his
eyes days later, Brown does not want to forget what happened. He's
talking of boycotts and civil rights panels, and he's not excluding
legal action.
"If I just accept it," Brown asked, "what do you
think's going to happen? Nothing."
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Weekend
April 28, 2007
Selected
Stories:
Terrorist
or Hero?; Poster of Geronimo at local pub stirs controversy
Public
safety meltdown; Navajo ask Congress for more jail funding
Tuesday
is Silver Star Day
Independent
Opinion
Death
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